Strange things are afoot in Bad City. The Iranian ghost town, home to prostitutes, junkies, pimps and other sordid souls, is a bastion of depravity and hopelessness where a lonely vampire stalks its most unsavory inhabitants.
But when boy meets girl, an unusual love story begins to blossom… blood red. Cinema’s first Iranian vampire western, writer/director Ana Lily Amirpour’s debut feature basks in the sheer pleasure of pulp. A joyful mash-up of genre, archetype, and iconography, its prolific influences span spaghetti westerns, graphic novels, horror films, and the Iranian New Wave. Amped by a mix of Iranian rock, techno, and Morricone-inspired riffs, its airy, anamorphic, black-and-white aesthetic and artfully drawn-out scenes combine the simmering tension of Sergio Leone with the strange surrealism of David Lynch. Above all, Amirpour’s tale of love and squalor is fun. Why else would a vampire ride a skateboard?